Channel - Semester 1: Cultures, Methods and Instruments
2-6-2022 18:05:13
Channel Videos
"City of Ladies: Christine de Pizan and Architecture" by Penelope Haralambidou
City of Ladies is a cross-disciplinary research project, which aims to introduce and promote the work of medieval author Christine de Pizan to an architectural audience for the first time. In her celebrated text, The Book of the City of Ladies, 1405, Christine describes the construction of an imaginary city, a female utopia built and inhabited by women. Her work has been seen as a proto-feminist manifesto, conflating the act of building with collecting stories of notable female figures from fiction and history and erecting a thesis against misogyny. Our research builds upon existing scholarship on the relationship between image and text in Christine’s work. It proposes an innovative, design-led analysis of the architectural and urban allegory in her text and a spatial remodelling of the accompanying illuminations (miniature illustrations). Performing history and theory through design, the research aims to establish Christine as the first speculative female architect and to project the powerful message of her allegorical city into the future.
Penelope Haralambidou is Professor of Architecture and Spatial Culture and Director of Communications at the Bartlett School of Architecture, UCL. She coordinates MArch PG24, where she promotes a highly innovative research-based teaching methodology that uses digital film and immersive environments to re-think architectural design through time. Her research employs architectural drawing, model-making and digital film as investigatory tools to analyse ideas and work, not only in architecture, but also visual representation, the politics of vision, art and cinema. Her work has been exhibited internationally, she is the author of the monograph Marcel Duchamp and the Architecture of Desire (London: Routledge, 2013), and she has contributed writing on themes, such as architectural representation, allegory, figural theory, stereoscopy and film to a wide range of publications. Her solo show, ‘City of Ladies’, presenting her recent practice-led research on Christine de Pizan’s proto-feminist text The Book of the City of Ladies, 1405, was hosted at DomoBaal gallery in 2020.
The Berlage
11-11-2022 11:44:00
ARB103 BIOGRAPHICAL CONSTRUCT
P. Flammer
14-11-2014 13:00:00
ARB103 OH, LA BELLE VIE
J. Larnaudie
12-12-2014 13:00:00
ARB103 THE FUTURE OF ARCHITECTURE IS IN THE PAST
G. Perraudin
12-9-2014 10:00:00
ARB103 To Be Determined
J. Liu
26-9-2014 11:45:00
ARB106_003
S.E. Frausto
15-12-2023 11:44:00
ARB106_01
S.E. Frausto
13-9-2019 10:45:00
ARB106_01
S.E. Frausto
26-11-2021 11:45:00
ARB106_01 - The question of land
S.E. Frausto
11-9-2020 10:45:00
ARB106_01 From the Camp to the Container: Albert Speer and the standardization of life
S.E. Frausto,
23-9-2016 10:45:00
ARB106_01 Material matters
I. B. Whyte
7-9-2018 10:45:00
ARB106_01 Occupied data
J. Bier
13-10-2017 10:45:00
ARB106_02
S.E. Frausto
10-12-2021 11:45:00
ARB106_02
presenter@tudelft
10-11-2017 11:45:00
ARB106_02 A Hospitality to Risk: fire and the shaping of contemporary Tokyo
L. Ross
7-10-2016 10:45:00
ARB106_02 Beton
S.E. Frausto
19-10-2018 10:45:00
ARB106_03
S.E. Frausto
17-12-2021 11:45:00
ARB106_03 FROM WITTGENSTEIN’S RULER TO OVERFITTING: PRECISION AND ERROR IN ARCHITECTURAL
F. Hughes
11-11-2016 11:45:00
ARB106_03 Plywood
S.E. Frausto
2-11-2018 11:45:00
ARB106_03 Shortcuts
S. Stewart-Halevy
24-11-2017 12:45:00
ARB106_04 BY THE WIDTH OF TWO HANDS”: OPTIMIZING BODIES, SPACES, AND DESIGNS IN HOUSEWORK
S.E. Frausto,
25-11-2016 11:45:00
ARB106_04 ARCHITECTURE AS FORM OF PRODUCTION
J. Ockman
12-1-2018 11:45:00
ARB106_04 Laminates
A. Lange
30-11-2018 11:45:00
ARB106_05
presenter@tudelft
19-1-2018 11:45:00
ARB106_05 MORE BRICKWORK
J. Sergison
13-1-2017 11:45:00
ARB106_06 A FAT HOUSE FOR A THIN MAN AND BEYOND
L. Lerup
27-1-2017 11:45:00
ARB106_06 Polyseamseal
S.E. Frausto
25-1-2019 11:45:00
ARB106_06 Traveling on strange seas of thought, alone
presenter@tudelft
26-1-2018 11:45:00
ARB106_07 - Non-professional practice
S.E. Frausto
17-1-2020 11:45:00
ARB106-THE-BERLAGE-SESSIONS-FRANCOISE-FROMONOT
presenter@tudelft
22-12-2023 11:45:00
ARB106-THE-BERLAGE-SESSIONS-SEBASTIANO-BRANDOLINI
presenter@tudelft
12-1-2024 11:45:00
ARB107 CULTURAL LAND(E)SCAPES
R. Makkink
13-9-2018 16:30:00
ARB107 KLEIBURG: 10+1 FLOORS—1001 STORIES. THE MIRACULOUS RESCUE OF A MODERNIST MONSTER
K. Klaasse
25-1-2018 17:30:00
ARB107_01 GARDEN DIARY
Default Presenter
13-10-2016 16:30:00
ARB107_01 Rural urban framework
presenter@tudelft
9-11-2017 17:30:00
ARB107_02 Arrhov Frick notes
presenter@tudelft
11-10-2018 16:30:00
ARB107_02 MATERIAL CULTURE: PROTOTYPES FOR A NEW INDUSTRIAL VERNACULAR
Default Presenter
10-11-2016 17:30:00
ARB107_02 Rural urban framework
J. Bolchouwer
16-11-2017 17:30:00
ARB107_03
presenter@tudelft
25-10-2018 16:30:00
ARB107_03 A city is not a tree
C Zucchi
17-11-2016 17:30:00
ARB107_04
presenter@tudelft
8-11-2018 17:30:00
ARB107_04 Living
T. Bilbao
19-1-2017 17:30:00
ARB107_05 THE BUILDING
presenter@tudelft
13-12-2018 17:30:00
ARB108_01 - Safe new world
S.E. Frausto
13-11-2020 13:00:00
ARB108_01 SENTIMENTAL MONUMENTALITY
A. Veiga
5-9-2019 16:30:00
ARB108_04 - The reach of the play
S.E. Frausto
16-1-2020 17:30:00
The Berlage Sessions: "From Delineation to Drawing" by Noam Andrews
Though they reached the apex of both their visibility and importance in the sixteenth century, polyhedra have descended today into the somewhat kitsch realm of the trinket: prized for their symmetry and sold in museum stores, mused about on innumerable blogs, linked to on Pinterest pages, and available for purchase in various materials on Etsy or Amazon. Nevertheless, the casualness with which these geometries are presented as tangible entities, made to be cut out and folded together in children’s books and easily modeled on the computer, belies the radicality of their prehistory as the premier test subjects for a newly material engagement with geometry and geometrical knowledge. Adopted to hone precision measurement and perspective skills in Renaissance workshops and first surfacing at the dawn of printing as early visualizations of Euclid’s Elements, in the hands of early modern artisans and architects the Platonic solids (or “regular bodies”) evolved into an intense field of experimentation into and out of the third dimension, at once a new language of abstraction and a starting point for potentially limitless geometrical invention and form-making strategies. The lecture will trace how geometry, long before the abandonment of the parallel postulate in the nineteenth century, found itself increasingly under strain by its tensile connections to media and how the distortion of the solids, both formally and at the level of their interaction with an imperfect materiality, fashioned a new space for geometry around and outward from unstable objects rather than through the hegemonic, spatial definitions of perspective.
Noam Andrews, a historian and architect, is the author of The Polyhedrists: Art and Geometry in the Long Sixteenth Century (MIT Press 2022). Based in Brussels, he received his PhD in the History of Science from Harvard University, and his architectural degrees from Cornell University and the Architectural Association School of Architecture. He has taught at Ghent University in Belgium, New York University, and as Diploma Master at the Architectural Association, and has been the recipient of fellowships from Research Foundation Flanders, the Metropolitan Museum of Art, Villa I Tatti - Harvard University Center for Italian Renaissance Studies, and the Max Planck Institute for the History of Science. Besides The Polyhedrists, his recent published work deals with the spatiality of early modern outer space, the material ambiguity of early cosmological models, and the history of the racial profile in the geometrical work of Albrecht Dürer.
The Berlage
25-11-2022 11:44:00
The Berlage Sessions: "From Drawing to Text" by Philippa Lewis
This lecture imagines how we tell stories from architecture by closely studying twenty-five architectural drawings from the several thousand in the Drawing Matter Archive in Somerset (UK)—the most recent from 1970 America, the oldest from Italy in 1780; some are anonymous works, others by architects famous or otherwise. Clearly, all were created with a purpose, but what were the intentions of the creators? What were the reactions of the onlookers— maybe clients, developers, builders, or just idlers? What is the human backstory? What is their social context? Avenues for historical research are wonderfully varied and can throw up unexpectedly surprising information. Clearly, we can only surmise, but research and imagination can lead us to create a plausible history. This in turn allows us to see the work not merely as a representation of a building but as a space to be inhabited by people.
Philippa Lewis studied history of architecture and the decorative arts; worked as a picture researcher and picture edi- tor for a wide range of publishers, on historical documentaries for TV, and on compilations of historical photography and ephemera. Her authored books include A Dictionary of Ornament (with Gillian Darley); Details, A Guide to House Design in Britain; Everything you can do in the Garden without actually Gardening; and Everyman’s Castle, the Story of our Cottages, Country Houses, Terraces, Flats, Semis and Bungalows. She is cofounder of and photographer for Edifice, a stock photo library of architecture specializing in the illustrations of building types, period style, material, and detail; this was acquired by Historic England in 2015. For the past five years she is contributor to the database of Drawing Matter Archive of Architectural Drawings, from which the drawings in Stories from Architecture were chosen.
The Berlage
2-12-2022 11:44:00
The Berlage Sessions: "From Image to Pixel" by Bert Spaan
This is a lecture about maps. About old maps and what they can teach us about the present and the future. And about new maps, about how they are made and about what we'll learn when we peel off layer by layer until we see what we're interested in.
Bert Spaan is an independent software engineer and cartographer. He designs and builds creative technology for data and exploration with a focus on open source and open standards. In the past, he worked for Waag, a research institute for technology and society in Amsterdam, and for NYPL Labs, the digital humanities lab of the New York Public Library. Currently, he works on Allmaps, an open-source platform for curating and exploring digitized cartography.
The Berlage
16-12-2022 11:44:00
The Berlage Sessions: "From Text to Image" by Kory Bieg
Text-to-Image Artificial Intelligence (AI) has taken the creative world by storm. In this lecture, Kory Bieg will discuss the value of using Text-to-Image AI in the design process and how current technologies fit within a long evolution of computational design tools. Bieg will show different uses of AI in his own work and how it can be a creative engine for speculative design proposals. The lecture will cover topics that AI has brought to the forefront, including issues of authorship, what it means to lose control, why we should embrace complexity, and whether we are about to see a new vernacular emerge.
Kory Bieg is an associate professor and program director for architecture at The University of Texas at Austin. He received his Master of Architecture from Columbia University, is NCARB certified, and a registered architect in Texas. Since 2013, he has served as Chair of the TxA Emerging Design + Technology conference, and co-Director of TEX-FAB Digital Fabrication Alliance. He has served on the Board of SXSW Eco Place by Design and the Association for Computer Aided Design in Architecture (ACADIA). In 2019, Bieg co-chaired the annual ACADIA conference titled “Ubiquity and Autonomy.”
The Berlage
9-12-2022 11:44:00
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