Channel - Semester 1: Cultures, Methods and Instruments
2-6-2022 18:05:13
Channel Videos
ARB103 BIOGRAPHICAL CONSTRUCT
P. Flammer
14-11-2014 13:00:00
ARB103 OH, LA BELLE VIE
J. Larnaudie
12-12-2014 13:00:00
ARB103 THE FUTURE OF ARCHITECTURE IS IN THE PAST
G. Perraudin
12-9-2014 10:00:00
ARB103 To Be Determined
J. Liu
26-9-2014 11:45:00
ARB106_002
S.E. Frausto
8-12-2023 11:44:00
ARB106_004
S.E. Frausto
12-1-2024 11:44:00
ARB106_005
S.E. Frausto
19-1-2024 11:44:00
ARB106_01
S.E. Frausto
13-9-2019 10:45:00
ARB106_01
S.E. Frausto
26-11-2021 11:45:00
ARB106_01 - The question of land
S.E. Frausto
11-9-2020 10:45:00
ARB106_01 From the Camp to the Container: Albert Speer and the standardization of life
S.E. Frausto,
23-9-2016 10:45:00
ARB106_01 Material matters
I. B. Whyte
7-9-2018 10:45:00
ARB106_01 Occupied data
J. Bier
13-10-2017 10:45:00
ARB106_02
S.E. Frausto
10-12-2021 11:45:00
ARB106_02
presenter@tudelft
10-11-2017 11:45:00
ARB106_02 - Conceptual Mannerism
S.E. Frausto
11-10-2019 10:45:00
ARB106_02 A Hospitality to Risk: fire and the shaping of contemporary Tokyo
L. Ross
7-10-2016 10:45:00
ARB106_02 Beton
S.E. Frausto
19-10-2018 10:45:00
ARB106_03 FROM WITTGENSTEIN’S RULER TO OVERFITTING: PRECISION AND ERROR IN ARCHITECTURAL
F. Hughes
11-11-2016 11:45:00
ARB106_03 Plywood
S.E. Frausto
2-11-2018 11:45:00
ARB106_03 Shortcuts
S. Stewart-Halevy
24-11-2017 12:45:00
ARB106_04 BY THE WIDTH OF TWO HANDS”: OPTIMIZING BODIES, SPACES, AND DESIGNS IN HOUSEWORK
S.E. Frausto,
25-11-2016 11:45:00
ARB106_04 ARCHITECTURE AS FORM OF PRODUCTION
J. Ockman
12-1-2018 11:45:00
ARB106_04 Laminates
A. Lange
30-11-2018 11:45:00
ARB106_05
presenter@tudelft
19-1-2018 11:45:00
ARB106_05 MORE BRICKWORK
J. Sergison
13-1-2017 11:45:00
ARB106_06 - The other Architect
S.E. Frausto
20-12-2019 11:45:00
ARB106_06 A FAT HOUSE FOR A THIN MAN AND BEYOND
L. Lerup
27-1-2017 11:45:00
ARB106_06 Polyseamseal
S.E. Frausto
25-1-2019 11:45:00
ARB106_06 Traveling on strange seas of thought, alone
presenter@tudelft
26-1-2018 11:45:00
ARB106_07 - Non-professional practice
S.E. Frausto
17-1-2020 11:45:00
ARB106-THE-BERLAGE-SESSIONS-FRANCOISE-FROMONOT
presenter@tudelft
22-12-2023 11:45:00
ARB106-THE-BERLAGE-SESSIONS-SEBASTIANO-BRANDOLINI
presenter@tudelft
12-1-2024 11:45:00
ARB107 CULTURAL LAND(E)SCAPES
R. Makkink
13-9-2018 16:30:00
ARB107 KLEIBURG: 10+1 FLOORS—1001 STORIES. THE MIRACULOUS RESCUE OF A MODERNIST MONSTER
K. Klaasse
25-1-2018 17:30:00
ARB107_01 GARDEN DIARY
Default Presenter
13-10-2016 16:30:00
ARB107_01 Rural urban framework
presenter@tudelft
9-11-2017 17:30:00
ARB107_02 Arrhov Frick notes
presenter@tudelft
11-10-2018 16:30:00
ARB107_02 MATERIAL CULTURE: PROTOTYPES FOR A NEW INDUSTRIAL VERNACULAR
Default Presenter
10-11-2016 17:30:00
ARB107_02 Rural urban framework
J. Bolchouwer
16-11-2017 17:30:00
ARB107_03
presenter@tudelft
25-10-2018 16:30:00
ARB107_03 A city is not a tree
C Zucchi
17-11-2016 17:30:00
ARB107_04
presenter@tudelft
8-11-2018 17:30:00
ARB107_04 Living
T. Bilbao
19-1-2017 17:30:00
ARB107_06
presenter@tudelft
17-1-2019 17:30:00
ARB108_01 - Safe new world
S.E. Frausto
13-11-2020 13:00:00
ARB108_05 - Freespace
S.E. Frausto
23-1-2020 17:30:00
The Berlage Sessions: "From Delineation to Drawing" by Noam Andrews
Though they reached the apex of both their visibility and importance in the sixteenth century, polyhedra have descended today into the somewhat kitsch realm of the trinket: prized for their symmetry and sold in museum stores, mused about on innumerable blogs, linked to on Pinterest pages, and available for purchase in various materials on Etsy or Amazon. Nevertheless, the casualness with which these geometries are presented as tangible entities, made to be cut out and folded together in children’s books and easily modeled on the computer, belies the radicality of their prehistory as the premier test subjects for a newly material engagement with geometry and geometrical knowledge. Adopted to hone precision measurement and perspective skills in Renaissance workshops and first surfacing at the dawn of printing as early visualizations of Euclid’s Elements, in the hands of early modern artisans and architects the Platonic solids (or “regular bodies”) evolved into an intense field of experimentation into and out of the third dimension, at once a new language of abstraction and a starting point for potentially limitless geometrical invention and form-making strategies. The lecture will trace how geometry, long before the abandonment of the parallel postulate in the nineteenth century, found itself increasingly under strain by its tensile connections to media and how the distortion of the solids, both formally and at the level of their interaction with an imperfect materiality, fashioned a new space for geometry around and outward from unstable objects rather than through the hegemonic, spatial definitions of perspective.
Noam Andrews, a historian and architect, is the author of The Polyhedrists: Art and Geometry in the Long Sixteenth Century (MIT Press 2022). Based in Brussels, he received his PhD in the History of Science from Harvard University, and his architectural degrees from Cornell University and the Architectural Association School of Architecture. He has taught at Ghent University in Belgium, New York University, and as Diploma Master at the Architectural Association, and has been the recipient of fellowships from Research Foundation Flanders, the Metropolitan Museum of Art, Villa I Tatti - Harvard University Center for Italian Renaissance Studies, and the Max Planck Institute for the History of Science. Besides The Polyhedrists, his recent published work deals with the spatiality of early modern outer space, the material ambiguity of early cosmological models, and the history of the racial profile in the geometrical work of Albrecht Dürer.
The Berlage
25-11-2022 11:44:00
The Berlage Sessions: "From Image to Pixel" by Bert Spaan
This is a lecture about maps. About old maps and what they can teach us about the present and the future. And about new maps, about how they are made and about what we'll learn when we peel off layer by layer until we see what we're interested in.
Bert Spaan is an independent software engineer and cartographer. He designs and builds creative technology for data and exploration with a focus on open source and open standards. In the past, he worked for Waag, a research institute for technology and society in Amsterdam, and for NYPL Labs, the digital humanities lab of the New York Public Library. Currently, he works on Allmaps, an open-source platform for curating and exploring digitized cartography.
The Berlage
16-12-2022 11:44:00
The Berlage Sessions: "From Model to Environment" by Lucia Tahan
The Berlage
20-1-2023 11:44:00
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